adapted from the war of deception: artists and camouflage in world war i\nsource: the national park…

adapted from the war of deception: artists and camouflage in world war i\nsource: the national park service\nthe use of camouflage in the military during world war i came as a result of technology and circumstance. aerial photography made masses of weaponry or troops a liability, unless they were hidden from the cameras eye. as the war in europe became increasingly a stalemate between enemy troops dug into trenches in one proximity, and often in the open, the need for camouflage increased.\ncamouflage was first devised in france in 1914 by the artist lucien - victor guirand de scévola and others. the theatrical nature of the subject attracted artists to participate in the attempts to hide military personnel and equipment. the british followed, with the americans coming later. in france, the painters george de forest brush, henry fitch cheney, and robert vonnoh all worked to produce the militarys adapt - principles of coloration to mask ships, weapons, and troops.\n2\nselect the correct answer.\nwhat statement is the best paraphrase of the text?\na. camouflage was first used in the military during world war i and was developed by an artist in france.\nb. artists developed the use of camouflage in response to the need to mask military operations in world war i.\nc. camouflage is used by many military forces even today.\nd. artists developed the use of camouflage in france in 1914.

adapted from the war of deception: artists and camouflage in world war i\nsource: the national park service\nthe use of camouflage in the military during world war i came as a result of technology and circumstance. aerial photography made masses of weaponry or troops a liability, unless they were hidden from the cameras eye. as the war in europe became increasingly a stalemate between enemy troops dug into trenches in one proximity, and often in the open, the need for camouflage increased.\ncamouflage was first devised in france in 1914 by the artist lucien - victor guirand de scévola and others. the theatrical nature of the subject attracted artists to participate in the attempts to hide military personnel and equipment. the british followed, with the americans coming later. in france, the painters george de forest brush, henry fitch cheney, and robert vonnoh all worked to produce the militarys adapt - principles of coloration to mask ships, weapons, and troops.\n2\nselect the correct answer.\nwhat statement is the best paraphrase of the text?\na. camouflage was first used in the military during world war i and was developed by an artist in france.\nb. artists developed the use of camouflage in response to the need to mask military operations in world war i.\nc. camouflage is used by many military forces even today.\nd. artists developed the use of camouflage in france in 1914.

Answer

Brief Explanations:

The text mainly states that artists developed camouflage in response to military needs during World War I. Option B best paraphrases this main - idea. Option A is incorrect as it doesn't emphasize the response to military needs. Option C is about current use which isn't the main point of the text. Option D is too simplistic and doesn't convey the full context of why it was developed.

Answer:

B. Artists developed the use of camouflage in response to the need to make military operations in World War I