(3.2.b) looking at movies (wk 3)\nin order to exploit cinemas capacity for transporting audiences into the…

(3.2.b) looking at movies (wk 3)\nin order to exploit cinemas capacity for transporting audiences into the world of the story, the commercial filmmaking process stresses\n○ a polished continuity of lighting, performance, costume, makeup, and movement.\n○ a rough, disruptive style.\n○ the maximization of any distractions that might remind viewers they are watching a movie.\n○ foregrounding and calling attention to transitions between shots and scenes.\n○ elements having nothing to do with the major concerns of the narrative.

(3.2.b) looking at movies (wk 3)\nin order to exploit cinemas capacity for transporting audiences into the world of the story, the commercial filmmaking process stresses\n○ a polished continuity of lighting, performance, costume, makeup, and movement.\n○ a rough, disruptive style.\n○ the maximization of any distractions that might remind viewers they are watching a movie.\n○ foregrounding and calling attention to transitions between shots and scenes.\n○ elements having nothing to do with the major concerns of the narrative.

Answer

Brief Explanations:

Commercial filmmaking aims to immerse audiences in the story. A polished continuity of lighting, performance, costume, makeup, and movement helps create a seamless and believable world, drawing viewers in. A rough, disruptive style would break the immersion. Maximizing distractions, foregrounding shot - scene transitions, and including non - narrative elements would all remind viewers they are watching a movie and disrupt the sense of being in the story world.

Answer:

a polished continuity of lighting, performance, costume, makeup, and movement