since african slaves were often prohibited from playing or building traditional instruments, they developed…

since african slaves were often prohibited from playing or building traditional instruments, they developed a way of stomping their feet, clapping their hands together or on their thighs to create a kind of body percussion that was known as: slap slap music; patting juba; stomp beats; secret drums; bomba music. question 6 1 pts the piece “america, commerce, and freedom” was composed by which of the following 18th century musicians? maria garcia; john sullivan dwight; anthony philip heinrich; alexander reinagle; amy beach

since african slaves were often prohibited from playing or building traditional instruments, they developed a way of stomping their feet, clapping their hands together or on their thighs to create a kind of body percussion that was known as: slap slap music; patting juba; stomp beats; secret drums; bomba music. question 6 1 pts the piece “america, commerce, and freedom” was composed by which of the following 18th century musicians? maria garcia; john sullivan dwight; anthony philip heinrich; alexander reinagle; amy beach

Answer

Brief Explanations:

  1. African slaves, due to restrictions on traditional instruments, created a body - percussion form known as Patting Juba by stomping feet and clapping hands.
  2. The piece "America, Commerce, and Freedom" was composed by Anthony Philip Heinrich, an 18th - century musician.

Answer:

  1. B. Patting Juba
  2. C. Anthony Philip Heinrich