fix any errors in the passage below. when youre done, click submit.\n\nthat ceremony begins when a lama, or…

fix any errors in the passage below. when youre done, click submit.\n\nthat ceremony begins when a lama, or tibetan priest, blesses the site where the monks will construct the sand painting. the lama leads chants that help the monks concentrate. then, the monks start to draw an outline of the geometric shapes and the buddhist deities, or gods, that will make up the mandala. once these images have been traced, they are ready to be painted with the colorful sand that the monks have prepared.\n\napplying sand this precisely is no easy task. to place tiny grains of sand in the right spot, monks rely on a special, cone - shaped metal tool called a chak - pur. it itself also must come from specific materials, including red sandstone, charcoal, and cornmeal. the

fix any errors in the passage below. when youre done, click submit.\n\nthat ceremony begins when a lama, or tibetan priest, blesses the site where the monks will construct the sand painting. the lama leads chants that help the monks concentrate. then, the monks start to draw an outline of the geometric shapes and the buddhist deities, or gods, that will make up the mandala. once these images have been traced, they are ready to be painted with the colorful sand that the monks have prepared.\n\napplying sand this precisely is no easy task. to place tiny grains of sand in the right spot, monks rely on a special, cone - shaped metal tool called a chak - pur. it itself also must come from specific materials, including red sandstone, charcoal, and cornmeal. the

Answer

Brief Explanations:

  • In the first paragraph, "That ceremony" should be "The ceremony" as it refers to a specific known ceremony.
  • In the second paragraph, "It itself also" is redundant. "It also" is sufficient.

Answer:

The ceremony begins when a lama, or Tibetan priest, blesses the site where the monks will construct the sand painting. The lama leads chants that help the monks concentrate. Then, the monks start to draw an outline of the geometric shapes and the Buddhist deities, or gods, that will make up the mandala. Once these images have been traced, they are ready to be “painted” with the colorful sand that the monks have prepared.

Applying sand this precisely is no easy task. To place tiny grains of sand in the right spot, monks rely on a special, cone - shaped metal tool called a chak - pur. It also must come from specific materials, including red sandstone, charcoal, and cornmeal. The