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Question
jean - jacques le barbier | declaration of the rights of man and citizen (painting) | ca. 1789
9 multiple answer 1 point
source 8.2 provides evidence relating to which of the following? select all that apply
- the role of statements of rights, like the united states declaration of independence, in defining human rights
- efforts to chart the rights of all full participants in society
- the assertion that inalienable rights should extent to women
- the expansion of rights to specific subgroups within a wider society
10 multiple choice 1 point
how does le barbier visually represent the french nation and popular sovereignty in this painting?
- the snake biting its tail and the laurel wreath
- the red bonnet or phrygian and the female figure without wings
- the tablets on which the declaration is written and the allegorical figure with wings
- the laurel wreath and the tablets on which the declaration is written
This 1789 work is the Declaration of the Rights of Man and Citizen, a core statement of Enlightenment-era human rights frameworks (parallel to the U.S. Declaration of Independence). It formalized rights for male citizens (full participants in the French social and political sphere) but did not extend these inalienable rights to women or specific marginalized subgroups, so those options are incorrect.
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The Phrygian bonnet was a symbol of liberty and the French nation (adopted by revolutionaries as a sign of freed citizens). The wingless female figure represents the French people/citizenry, grounding the ideal of popular sovereignty in the nation's actual populace. The winged figure is a symbolic representation of abstract justice, the snake biting its tail is a symbol of eternity, and the tablets hold the declaration text, but these do not directly represent the nation or popular sovereignty.
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(Question 9):
- The role of statements of rights, like the United States Declaration of Independence, in defining human rights
- Efforts to chart the rights of all full participants in society