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read the excerpt from lee childs \a simple way to create suspense\. like the old cartoon of the big fish eating a smaller fish eating a very small fish, youll find out the big answer after a string of smaller drip - drip - drip answers. the big answer is parceled out slowly and parsimoniously. which statement by karin slaughter shows a similar central idea? if you think about to kill a mockingbird, for instance, some of those courtroom scenes are more tense than any grisham novel, you know. i want it to change them, and i want my reader to feel that change through the character, as if its them. i mean, you know, crime is such a great tool for talking about the human condition, and thats what i like to do. there has to be this peeling away of the onion, where you get to the core of the character as the story unfolds
Lee Child's excerpt describes revealing a big answer through a series of smaller ones to create suspense. The statement about peeling away layers of a character as a story unfolds is similar as it also involves gradual revelation. The other statements focus on tension in court - room scenes, changing readers' feelings through characters, and using crime to discuss the human condition, which are not about gradual revelation like Child's idea.
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There has to be this peeling away of the onion, where you get to the core of the character as the story unfolds.