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question 4 of 20
in what way does shakespeares the tempest resist traditional genre classification?
a. it ends with a marriage, but also with prospero giving up his powers.
b. it begins with the storm rather than a soliloquy.
c. it has both complex characters and flat characters with simple motivations.
d. it has themes of colonialism, but also themes of equality.
Traditional Shakespearean comedies typically end with celebratory marriages and a restoration of order without the central figure abandoning their power. The Tempest subverts this: while it includes a marriage (a comedic staple), Prospero renouncing his magical powers deviates from the expected triumphant, power-retaining conclusion of a comedy. The other options do not address core generic classification resistance: opening with a storm is not a genre rule, mixed character types appear across genres, and conflicting themes are not unique to generic defiance.
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A. It ends with a marriage, but also with Prospero giving up his powers.