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sea devil literary term application (form a)
name________ hr
53 __________ which literary term describes the feeling in the audience as they exit the theater?
- __________ which point of view is neither omniscient nor limited?
- __________ what do we learn from the best movies and stories?
- __________ what if the story has no flashback?
- __________ what has happened if the characters get younger with the passage of time?
- __________ what kind of narrator knows everything, animals’ thoughts to children’s feelings?
- __________ which narrator knows only one character’s thoughts and feelings?
- __________ what general term describes the perspective of the narration?
Question 53
The feeling in the audience after exiting a theater, related to the emotional impact of the story, is often "catharsis" (from tragedy, purging emotions) or "resonance" (lingering emotion). But the key term for the audience's emotional response post - experience, especially in dramatic contexts, is catharsis (for tragedies, Aristotle's concept) or "mood" / "atmosphere" - related, but more precisely, the term describing the audience's feeling (emotional release/impact) is often "catharsis" or "aftermath emotion", but the standard literary term for the audience's emotional state after a work (like a play) is catharsis (if it's a tragic work) or "affect" - but more accurately, the term is catharsis (Aristotelian: purification of emotions through pity and fear in tragedy).
Points of view: omniscient (knows all, multiple characters' thoughts), limited (knows one character's thoughts), and the one that is neither is the objective (dramatic) point of view, where the narrator reports actions and dialogue without accessing characters' thoughts (like a camera, no internal thoughts revealed).
Best movies and stories often teach us about human nature, "universal truths", "life lessons", "empathy" (understanding others), or "the human condition" (experiences like love, loss, struggle). They reveal insights into how people act, feel, and the shared experiences of humanity.
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The literary term is "catharsis" (or "resonance" depending on context, but "catharsis" is more specific for dramatic audience response).