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ode on a grecian urn by john keats 1. thou still unravish’d bride of quietness, thou foster - child of silence and slow time, sylvan historian, who canst thus express a flowery tale more sweetly than our rhyme: what leaf - fring’d legend haunts about thy shape of deities or mortals, or of both, in tempe or the dales of arcady? what men or gods are these? what maidens loth? what mad pursuit? what struggle to escape? what pipes and timbrels? what wild ecstasy? (10) 2. heard melodies are sweet, but those unheard are sweeter; therefore, ye soft pipes, play on; not to the sensual ear, but, more endear’d, pipe to the spirit ditties of no tone: fair youth, beneath the trees, thou canst not leave thy song, nor ever can those trees be bare; bold lover, never, never canst thou kiss, though winning near the goal—yet, do not grieve; she cannot fade, though thou hast not thy bliss, for ever wilt thou love, and she be fair! (20) 3. ah, happy, happy boughs! that cannot shed your leaves, nor ever bid the spring adieu; and, happy melodist, unwearied, fair youth, beneath the trees, thou canst not leave thy song, nor ever can those trees be bare; bold lover, never, never canst thou kiss, though winning near the goal—yet, do not grieve; she cannot fade, though thou hast not thy bliss, for ever wilt thou love, and she be fair! based on the word choice, the speaker’s overall tone is angry. loving. mournful. encouraging.
The speaker reflects on the eternal, tender scenes on the Grecian urn. Phrases like "Fair youth", "For ever wilt thou love, and she be fair!" and gentle reassurance ("yet, do not grieve") convey warm, affectionate regard for the urn's timeless subjects, fitting a loving tone.
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loving.