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when they met at the culvert the next day, sofia was dressed in black again. her fingernails were also painted black. she led him south, down a gently curving street again. her fingernails mentioned, her black boots gliding over the sidewalk with steps that seemed assertive. nathan sofia was carrying a new map covered with topographical lines, and she studied it as they walked west and passed a cluster of overdone tributes to assorted architectural styles: a mini - monticello, a ghosted tudor cottage there. this street follows the old stream, sofia said. the city buried it, like, a hundred years ago. but the waters still flowing down there, in a big drainage. a block later they reached another fence, and stood above another culvert from which the stream emerged, moving slower, wide and shallower, flowing into a tangle of branches and bushes. without a word sofia climbed the fence and landed with a splash in about an inch of water. technically, im pretty sure this is trespassing, nathan said as he followed her. sofia marched along the water, pulling back branches for him. where is this woman taking me? he wondered, and after a few paces he got his answer as they entered an open space. the suddenly dry air seemed to vibrate under a liberated, ferocious sun. the space was a kind of meadow, framed by two mansions, each so abundant with backyard paraphernalia. nathan felt as if hed entered the parking lot of a studio dedicated to making movies about suburban american excess. he saw competing steel barbecue machines with gauges and propane - tank attachments; one stood before a tiled - roofed spanish - style mansion, the other at the base of a turret - topped moorish castle, as if ready to prepare steaks and burgers for a medieval army. next to the spanish mansion a pathway of flat stones led to a childs climbing structure made of shiny redwood. the moorish castles domain included a marble dining table and a tennis court of emerald cement. sofias stream snaked through this gaudy landscape, making two gentle turns inside a channel sunken in cobblestones. i just want to look at it for a while, if you dont mind, sofia said. 14 mark for review the references in the first and third paragraphs to the mini - monticello, the ghosted tudor cottage, the spanish - style mansion, and the moorish castle suggest that the passage is set in a a country that is foreign to the characters b a crowded urban environment c a pretentious suburban neighborhood d a town characterized by architectural originality
The passage mentions various architectural styles like "mini - Monticello", "ghosted Tudor cottage", "Spanish style mansion" and "Moorish castle", indicating a town with diverse architectural features.
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D. a town characterized by architectural originality