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for his 1986 album keyboard fantasies, beverly glenn - copeland wrote songs grounded in traditional soul and folk music, then accompanied them with futuristic synthesizer arrangements featuring ambient sounds and complex rhythms. the result was so strange, so unprecedented, that the album attracted little attention when first released. in recent years, however, a younger generation of musicians has embraced the stylistic experimentation of keyboard fantasies. alternative r&b musicians blood orange and moses sumney, among other contemporary recording artists, cite the album as an influence. which choice best describes the function of the underlined sentence in the text as a whole? a) it urges contemporary musicians to adopt the unique sound of keyboard fantasies. b) it responds to criticism of keyboard fantasies by some younger musicians. c) it offers examples of younger musicians whose work has been impacted by keyboard fantasies. d) it contrasts keyboard fantasies with the recordings of two younger musicians.
The underlined sentence names specific alternative R&B musicians (Blood Orange and Moses Sumney) who cite the Keyboard Fantasies album as an influence. This provides examples of younger - generation musicians affected by the album.
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C. It offers examples of younger musicians whose work has been impacted by Keyboard Fantasies.