Question

as ruchira is packing her apartment while preparing to move in with her new husband, biren, she reflects on the first time he saw her artwork. (1) hed moved close to the wall and was standing very still. (2) it took her a moment to figure out that he was examining her brushstrokes. (3) (but only artists did that. (4) was he a closet artist, too?) (5) finally he moved back and let out a long, incredulous breath, and it struck her that she had been holding hers as well. (6) \tell me about your work,\ he said. (7) this was hard. (8) she had started painting two years ago, and had never talked to anyone about it. (9) even her parents didnt know. (10) when they came for dinner, she removed the canvases from the wall and hid them in her closet. (11) she sprayed the room with eucalyptus mist and lit incense sticks so they wouldnt smell the turpentine. (12) the act of painting was the first really risky thing she had done in her life. (13) being at the gallery, she knew how different her work was from everything in there, or in the glossy art journals. (14) her technique was crude - she hadnt taken classes and didnt intend to. (15) she would probably never amount to much. (16) still, she came back from work every evening and painted furiously. (17) she worked late into the night, light - headed with the effort to remember. (18) she stopped inviting people over. (19) she made excuses when her friends wanted her to go out. (20) she had to force herself to return their calls, and often she didnt. (21) she ruined canvas after canvas, slashed them in frustration and threw them into the dumpster behind the building. (22) she wept till she saw a blurry brightness, like sunspots, wherever she looked. (23) then, miraculously, she got better. (24) sometimes now, at 2:00 or 3:00, her back muscles tight and burning, a stillness would rise around her, warm and vaporous. (25) held within it, she would hear, word for word, the stories her grandmother used to tell. from chitra banerjee divakaruni, the unknown errors of our lives. ©2001 by chitra banerjee divakaruni. question within the passage as a whole, sentence 23 (\then... better\) primarily serves to mark ruchiras transformation from a frustrated, unskilled painter to a serene, capable one illustrate that ruchira had exhausted herself in her futile attempts to improve her skills as an artist foreshadow the destructive consequences of ruchiras relentless quest to become a painter describe how ruchiras first paintings were miraculous demonstrations of her great secret talent

Explanation:

Before sentence 23, Ruchira is frustrated, ruining canvases, and struggling with her painting. After it, she experiences a sense of stillness and connection to her grandmother's stories, indicating a positive change. This shows her transformation from a frustrated, unskilled painter to a more serene and capable one.

Answer:

mark Ruchira's transformation from a frustrated, unskilled painter to a serene, capable one