Question

so, r&b certainly isn’t dead. but it is hard to recognize from time to time. for the generation whose roots stretch only as far back as aaliyah and whose branches stretch to an eclectic sound we likely haven’t even conceived yet, this iteration of r&b is what resonates¹³. 35 maybe one of the originators of the partnership between hip - hop and r&b, mary j. blige, said it best when debating combs over his “r&b is dead” commentary. 36 “you can’t kill something that’s in our dna,” she said. “it’s gonna keep transitioning from generation to generation to generation to generation.” and ya don’t stop. “how did hip - hop and r&b become one genre” by rivéa ruff. copyright © 2022. used by permission of essence magazine. all rights reserved. this version of the text has been abridged for commonlit. paragraph 36 7. how does paragraph 34 contribute to the overall section “throw it back”? name __________ class __________ ¹³ appeals to someone in a personal or emotional way; has particular meaning or importance for someone analyzing text structure: how did hip - hop and r&b become one genre? unless otherwise noted, this content is licensed under the cc by - nc - sa 4.0 license

Explanation:

Paragraph 34 states R&B isn't dead but has changed over time, setting the stage for the discussion on its evolution and resilience in the "Throw it Back" section. It introduces the idea that different generations have different relationships with R&B, which is a key - theme in the overall section.

Answer:

It sets the stage for the discussion on R&B's evolution and its continued relevance across generations in the "Throw it Back" section by stating that R&B isn't dead but has changed over time.