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as ruchira is packing her apartment while preparing to move in with her new husband, biren, she reflects on the first time he saw her artwork. (1) hed moved close to the wall and was standing very still. (2) it took her a moment to figure out that he was examining her brushstrokes. (3) (but only artists did that. (4) was he a closet artist, too?) (5) finally he moved back and let out a long, incredulous breath, and it struck her that she had been holding hers as well. (6) “tell me about your work,” he said. (7) this was hard. (8) she had started painting two years ago, and had never talked to anyone about it. (9) even her parents didnt know. (10) when they came for dinner, she removed the canvases from the wall and hid them in her closet. (11) she sprayed the room with eucalyptus mist and lit incense sticks so they wouldnt smell the turpentine. (12) the act of painting was the first really risky thing she had done in her life. (13) being at the gallery, she knew how different her work was from everything in there, or in the glossy art journals. (14) her technique was crude—she hadnt taken classes and didnt intend to. (15) she would probably never amount to much. (16) still, she came back from work every evening and painted furiously. (17) she worked late into the night, light - headed with the effort to remember. (18) she stopped inviting people over. (19) she made excuses when her friends wanted her to go out. (20) she had to force herself to return their calls, and often she didnt. (21) she ruined canvas after canvas, slashed them in frustration and threw them into the dumpster behind the building. (22) she wept till she saw a blurry brightness, like sunspots, wherever she looked. (23) then, miraculously, she got better. (24) sometimes now, at 2:00 or 3:00, her back muscles tight and burning, a stillness would rise around her, warm and vaporous. (25) held within it, she would hear, word for word, the stories her grandmother used to tell. from chitra banerjee divakaruni, the unknown errors of our lives. ©2001 by chitra banerjee divakaruni. question as used in sentence 16, “furiously” most nearly means intently viciously irritably vengefully
In the context of the sentence, Ruchira painted with great intensity and effort every evening. The word "furiously" here describes the high - level of energy and concentration she put into painting, not anger or malice. "Intensely" best captures this meaning as she worked hard despite her self - perceived lack of skill and in isolation.
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A. intensely